“The only
requirement for good fiction is that it be interesting,” Henry James said. A fiction writer doesn’t have the
restrictions of a non-fiction writer. As
a work of fiction belongs solely to the writer’s imagination, he/she is not
bound by any formal rule. The only limitation comes from the imagination.
For any work of fiction to enter
the realm of classic: it has to be good, interesting and relevant to all times;
before and after its publishing period.
What separates a good fiction from
a great one is not just the literary and technical skills of the writer, but
also the universality (the universal questions the book deals with).
Paul Tillich calls it the Ultimate
Concern. The contemporary fiction which falls under the best category has the
quality of the ultimate concern in abundance. Ultimate Concern is something
that we take with unconditional and utmost seriousness in our lives without any
reservations. It’s something that we are ready to suffer or die for. Ultimate
concern is the main concern in a person’s life. The ultimate concern consumes
the person. It contains the answer about the meaning of that person’s life.
A person is grasped by this
ultimate concern. Take the example of Harry Potter. His ultimate concern was
to destroy Voldemort's Horcruxes and kill him. Harry was aware that
either he would be successful in thwarting Voldemort, or he would die in the
process. Though the outcome of this ultimate concern was absolutely clear to
Harry, he was caught in the ultimate concern’s deadly grip. It haunted him.
He had just one mission in life. Stop Voldemort.
Every work of fiction grapples with an
ultimate concern which consumes the protagonist like a fire. The resolution of
this ultimate concern forms the crux of the story. For me the ultimate concern
transfers into the conflict in the book. Maybe the conflict in my book may not
be universal, maybe this conflict is just crucial for my protagonist: but it
becomes his or her ultimate concern, something he or she is dead serious about.
Something they are willing to die for.
How do you decide the ultimate
concern of your protagonists? Are they grasped by it like Harry? Please share.
We would love to learn from everyone’s experience.
P.S.
I am reposting an old post. Next week I will have a new topic for you
all.