When my
first two children’s book were confirmed for publication, the first
thing my editor who was also the publisher asked me on the phone “are you one
of those difficult writers who refuse to let the editor delete a single word of
their manuscript?” I assured her that I was pretty easy to get along with where
editorial feedback was concerned, as I had written for several years for many
local newspapers and was used to editorial feedback and cuts.
Our editing
went very well. And within eight months the books were out. Several months
later, I heard that a writer whose book was selected for publication had stalled the editing process because the
writer was being difficult. I was appalled. This writer was someone I knew, her
book had been rejected by several publishers on the basis of its length. I felt
that the writer should have been thrilled that some publisher was willing to
publish her book without compromising on its length.
The writer’s
attitude led to a major rift between her and the editor; things became so bad
that the editing was stopped for several months. After much bitterness and
anger the editing process was restarted. The result was a half hearted attempt
at reconciliation from both the parties involved. It showed in the manuscript.
Another
writer after the entire editing had been completed and sent to him for approval asked for his manuscript back as he was not
happy with the changes made by the editor. This was such a colossal waste of
time, I felt sorry for the editor: her efforts had gone down the drain. As the contracts are signed just before the edited manuscript is sent for publication, writers can withdraw their manuscripts if they want to do so. Thankfully, now one of the conditions of the contract is, agreeing with the editing changes.
I feel there
are few points to remember when it comes to an editor - author relationship:
- The editor should not be treated like a word gobbling monster. His/her interest lies in making the manuscript crisper, the story better, the protagonist more lovable and improving the writing style. The editor is not there to criticize or hurt us. They should be treated as friends who can give valuable feedback on our work.
- Editors not only know the demands of the market well, they also know what will work and what won’t work in a story. Remember, that they have years of experience before them.
- If few of their suggestions don’t meet with our approval, then its time to initiate a dialogue. We can try to convince them that we don’t think their suggestions will benefit our story. We should give them a chance to convince us that their suggestions will definitely improve the story.
- Editorial feedback is extremely crucial as we are seeing our story from just one point of view: the writer’s. The editor is getting an entire overview of the story; like an aerial view. I have almost always liked my editors’ suggestions. I feel it has really enhanced my stories.
- Editors suggest changes with a view on the market as well. Their changes give our books the best chances of survival in a tight and overcrowded market.
How has your experience been with your editor?
Is it a hostile relationship where you hate the changes suggested by them? Or, do you welcome the changes suggested by them?
What advice would you give us to maintain a calm and trouble free relationship
with our editors?
HI Rachna, I'm not lucky enough to have a book published yet, but of course several of my articles that have been published have gone through revisions and I always felt the editor spotted something I missed. I make it a point to not miss that kind of thing again.
ReplyDeleteWord ver = Conveno: an Italian convention!
When the times comes, I will be thrilled to work with, and not against, my editor.
ReplyDelete:)
My book is in the hands of an editor as we speak. It is scheduled to be completed and returned to me this Friday.
ReplyDeleteI'm pretty excited to get a professional polish on my 'script. But I also know it's going to mean many hours of work going through the changes. Still, I believe it's a step forward for me and my story.
I'm always in favour of dialogue rather than conflict. The main thing is that the manuscript is published in the best state possible.
ReplyDeleteJai
I'd just be thrilled to get a publisher who was able to give expert advice on tightening up my manuscript! Great post.
ReplyDeleteHi Rachna...I am sure all editors will thank you after reading this post. More often than not they are treated like monsters and the editor author equation is not good.
ReplyDeletegreat suggestions- can't wait till I am at this stage :)
ReplyDeleteI think that's funny that your editor actually asked if you were difficult!!! I guess it's all in fun at that point, but they really do want to know. I think I'll be more than easy going because I'm so anxious to get anything published. Can't wait to have that great relationship. Fun post Rachna! Where can I find your children's books?
ReplyDeleteI can't wait to say, "I have an editor." My relationship with be super. I guess there are some writers that are hard to work with just as there are people in life that we come across that are grumpy and unpleasant. Not me! I'll be easy pleasant and thankful. :)
ReplyDeleteHi Friends....I wish all of you lots of luck so that each and everyone reaches that stage fast; where we have to collaborate with our editors. I am sure that it will be soon; I am waiting for good news from all of you. :)
ReplyDeleteI have always liked my editors' suggestions, they are almost always spot on; she sees the gaps which I have overlooked and suggests great ways to plug them.
@ Anne...you can check out my children's books at Amazon.com. They have quite a few pages up there for people to read and then decide whether to buy or not.
Congrats on your books! This is such great advice. I haven't had difficulty with editors; I know that they are looking toward publication and not looking to work against me. The only potential conflict I could ever see is if they requested something that would compromise my faith somehow. Good post!
ReplyDeleteHave a good week,
Karen
The editor's job is to make the writer look good. Why would a writer turn that down? And we can learn so much from good editors. of course, I've only dealt with brilliant editors whose changes I've agreed with.
ReplyDeleteI can't say I've had much experience with this, but the editorial comments I received on a poem I wrote improved it tremendously. I can't imagine having gone through all the multiple hoops to get before a publisher and then balk at editorial comments. Discuss, sure. You need to know you're doing something productive before you start, so if you have questions, be sure to ask. I've edited from critiques often enough to know what's suggested in a critique isn't always what I read and understand from the comments and discussion is therefore imperative. But blowing off an editor's suggestions without talking is a career-ending move.
ReplyDeleteI've been a magazine writer since 1994, and what I find interesting is that I am much more open to edits on my fiction than I ever was with my journalism articles. That being said, I think there needs to be a level of respect between editor and writer. Without it, the project is doomed from the start. It's hard to "let go" of your baby - an extension of yourself - and allow someone to chop, chop away. We can only hope our editors will make less drastic changes, but be open to the major ones as well. That doesn't mean, for the big points, you can't negotiate.
ReplyDeleteCongrats on your Post! This is such great advice and Suggestions.
ReplyDelete